art, art retreats, bloggy stuff, fiber art, Rebel stitching, Slow cloth, Upcycling, weaving

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Suddenly I feel like Miss Piggy today. Couldn’t tell you why.

A lot of things have happened since I last posted. I stopped paying to have my blog ad-free and the ads are pretty disgusting, so I may break down and upgrade to a paid account. I hate to do it, because between that and paying for my photos to be hosted on Flickr, that adds up to over $100 per year. I can’t really let the Flickr account go because I have linked most of my photos to that account. That would be an enormous amount of work to correct that. Plus, I really am attached to my domain name. I’ve had it since 2005. The thought of letting it go has become more intolerable to me.

I am going to convert this over to more of an artist website, and my postings to Facebook and Instagram should appear on the sidebar. But that will take a while. Maybe over the winter break. I’ll have made a decision about whether the cost is worth it by October.

^^^Pablocito, studio assistant, and the reason why there is aluminum foil everywhere. (He doesn’t like it.)

I took a week’s vacation at home in late July because it was slow at work and I have a lot of vacation time built up. It was marvelous. Really, I almost preferred it to traveling.

The first thing on my agenda was to warp up this “new” Beka rigid heddle loom for a sakiori workshop later that week. It was not anywhere near as simple as I thought it would be, and by the time I rewarped it and got the tension right, it took three days and some help from a friend! However, now I know some things I should and shouldn’t do with this type of loom. For one thing, I doubt that I will put three yards of warp on it again.

This patchwork from Jude Hill’s online class (see below) really scratches an itch for me. I love that it is portable. The only problem is my hands can’t take as much hand sewing as I would like to do. My sewing machines (plural) are a constant pain in my ass to keep running and maintained, but I did abuse them pretty badly when I was doing the denim and t-shirt quilt projects. It still amazes me that you can buy a new cheap machine for as much as it is to repair one.

Anyway, bitching aside, I LOVE making these little “puzzle pieces” and putting them together in different ways. It reminds me of my favorite toy growing up, which I think was sold by Tupperware. It was like Legos, but with tiny little pegged pieces in different shapes that could be pushed into a plastic grid. I constantly played with it sitting on the den floor, and I still have a box with the pieces somewhere. It drove my father nuts because he was always stepping on them.

Later that week when I felt like dealing with warping a loom again I caught up on the Rebecca Mezoff/Sarah Swett “Fringeless” online class that I began LAST SUMMER, and by the end of the week, I had this Mirrix loom warped and ready to go. The warping method produces a four selvedge tapestry that is ready when it comes off the loom, no sewing in ends or hemming edges required. To be honest, it was pretty easy once I got the hang of it.

Then on Saturday, I went to the sakiori class that was taught by Dawn Hummer of Saori Song Weaving in Chapel Hill, and sponsored by the Triangle Weavers Guild in a great space that they rent on an ongoing basis in an old school near Durham. I didn’t really learn that much, and I don’t need any encouragement to cut loose and play, but it is always good to hear how and why other artists do what they do. I got to see Saori looms and how they work, and that was really cool. It was fun and that was the whole point. I decided to make some pieces to use as book covers. Here is the first one. There is room on the warp for many more.

In other news, I’ve had to learn how to live without air conditioning for a few days. I hope it won’t be much longer. It is good for me to be reminded not to take this for granted. Work is revving back up with the fall semester classes beginning in only two weeks. The Tapestry Weavers South retreat is in nearby Elkin, NC on Labor Day weekend, so I have that to look forward to. After that, I doubt I will be able to afford any other art retreats or workshops because I am going to have to dip into my savings to pay for the Ireland trip before January, and to be responsible I will pay my savings back. It will be totally worth it to go back to Ireland, where I belong.

Back Forty, Blather, bloggy stuff, whatever

just ramblin’

Next week I’m taking a staycation and I have a lot of projects in mind and a couple of events to attend, including seeing Gordon Lightfoot in concert at the Carolina Theater in Greensboro – a great venue for a great artist.

Today, I’m considering my priorities in what I want to accomplish and what I need to get done. I’m taking a small weaving workshop on sakiori (Japanese rag weaving technique) that is not far away, so first on the list is to assemble and warp my new-to-me Beka rigid heddle loom, and cut/tear half-inch strips of rags for this workshop next Saturday. This is mainly an exercise in creativity and fun, and usually no matter what the subject is, I learn something from a new teacher.

Secondly, I am going to spend some time catching up on the online courses I signed up for LAST YEAR and this year, with the priority being to warp up my new-to-me Mirrix loom in the four-selvedge technique I’ve learned in Rebecca Mezoff and Sarah Swett’s “Fringeless” online course. I hope that this will lead to me weaving small tapestries for book covers and even pages. Making a tapestry book has long been a goal for me.

Other priorities are preparing “puzzle piece” squares for Jude Hill’s current online course as a traveling project. I’d like to do some more cloth strip weaving and make some bags like the ones I made in India Flint’s “Bagstories” course last year.

Another prep project is to make the components for several books, covers and pages, to have them ready to bind. I want to bind at least one book with some of the signatures I made in Leighanna’s workshop at FOBA, and it is mostly ready.

Also, I just finished the first season of “Stranger Things.” As usual, I am behind on popular shows and normally I can’t handle horror shows or flicks – I tend to have nightmares – but this struck me more as a combination of “Freaks and Geeks” and Stephen King. I will probably finish watching the series next week.

I will need to get my battery replaced in the car. We jumped it off after some difficulty after it sat for a while and I drove it to the mechanic’s shop, then made the unwise decision to drive it back home and see if it cranked in the morning. Now it won’t even click when we try to jump it. If we can get it charged again, I will leave it at the mechanic’s shop and let them replace the battery and check out the rest of the electrical system. Fortunately I walk to work and we can get by with one car most of the time, but it limits what I can do during weekdays when Sandy is working unless I get up at 6:30 and drive him to work and pick him up at 4 p.m. I don’t really want to do that.

Once the heat wave settles down, which according to the forecast should happen around Tuesday, I am going to fire up the electric dehydrator and dry a bunch of cherry tomatoes, which are beginning to produce a lot more than we can eat. The UNCG garden is producing plenty of lemon cucumbers, which I have mostly given away, some zephyr squash, and the Roma tomatoes are beginning to ripen. The pole lima beans are now healthy looking after a Japanese beetle attack, but it has been so hot that they have not blossomed, so I hope for a fall harvest. I’ve harvested and eaten onions – the first onions I’ve ever grown from seed. The garlic bulbs did not separate into cloves so I’ll have to figure out what went wrong. We have had a few peppers of various kinds, mainly Italian frying peppers.

Other than that, I am daydreaming about my plans to go to Ireland next June, probably by myself!!! and Sandy has applied for Social Security, so he can retire at any point he wants to now. Since we can’t retire to Ireland, I want to try to come up with ways to go there fairly often. I have an app on my phone called Hopper that is good at alerting you to price drops and rises in airfare on certain routes and days, and I’ve found quite a few AirBNBs that are very inexpensive. If you reserve way ahead of time, you can usually find good prices. Also, I learned on the recent trip to Oregon that I do just fine with a loaf of good bread, sharp cheese, fresh fruit, and nuts for my meals. I’ll be at an art retreat for a week but I want to spend another week walking on the coast.

Yes, I am trying to maintain my mental health during a time of political horror in my own country. At least the racism is out in the open now, but these fascists are scary. My father fought in World War II. What would he say if he were alive? It’s hard to imagine that we are in this place of meltdown, and I will probably end up writing about my helpless feelings about the fall of our civilization at some point. What do you do when people refuse to believe the truth? It is beyond my comprehension.

Honestly, “Stranger Things” is much less scary and a whole lot more believable.

I will add a statement on the sidebar about the appearance of ads on my blog beginning July 28. It is part of my expense cutting to push my money toward retirement, travel, and art expenses. I won’t see them or have any control over them, but I’m not spending any more money on this blog, and that is when my bill is due to prevent ads. Please, just ignore them. Don’t click on them. I hate advertisements and I do not choose the content.

art retreats, book arts, Focus on Book Arts, Nature printing, Oregon

Focus on Book Arts – Surface Design on Metal and Paper

I have so much fun with Leighanna Light’s techniques that I decided to take both of her classes at FOBA this year. I took a break on Friday because I have finally learned that I cannot go full charge for five days at an art retreat without falling apart before the end. Kathy went home. So that was the day I roamed around town by myself and took photos. Susanne and I sent three boxes full of stuff that we bought or no longer needed for classes back home by Priority Mail. I repacked everything and left the suitcase with one wheel in the garbage can.

On Saturday, Judy joined my class, so it was nice to reconnect with her. She gave me an accordion flag style book she made with her handmade paper and photos she took of the textures at Yellowstone National Park. Such a nice memento of our time together there. I’ll post a photo later. Also sitting at our table was Virginia Sumner, attending her first art retreat. She was kind enough to give us a ride back to the MAX line station so that we didn’t have to lug bags too far. You can check out Virginia’s artwork here. I love making new friends at art retreats, even though I didn’t try very hard at this one.

FOBA - Leighanna Light's Surface Design on Metal and Paper class

phototransfer

^^^On Saturday morning we concentrated on the techniques that would have to dry for a while. The first thing we did was make gesso photo transfers on metal. It’s a very simple technique but I always have problems with any kind of photo transfer. I think that I will try to rub a little more paper off.

FOBA - Leighanna Light's Surface Design on Metal and Paper class

FOBA - Leighanna Light's Surface Design on Metal and Paper class

^^^I had some extra tin so I played with gesso and stencils again.

FOBA - Leighanna Light's Surface Design on Metal and Paper class

FOBA - Leighanna Light's Surface Design on Metal and Paper class

^^^We went out and picked leaves to do leaf prints on copper and brass. This is a technique that Leighanna developed. The brass turned the copper a bluish color where they were stacked – or was it the copper turned the brass blue – aw heck, I’m mixed up, but it was cool. I think that the brass is the bigger piece.

FOBA - Leighanna Light's Surface Design on Metal and Paper class

FOBA - Leighanna Light's Surface Design on Metal and Paper class

^^^We spent the afternoon painting and stenciling and stamping watercolor paper with gesso, let them dry, then painted over them with dyes and chalk paint. I could do this for weeks and I don’t know why I don’t do it more when I am at home. I am resistant to getting paint on my hands and I hate gloves so I guess that is it, but if I am somewhere else in a workshop I am happy slapping wet stuff on paper and getting it all over me. I kept going back and adding more color here and there.

FOBA - Leighanna Light's Surface Design on Metal and Paper class

^^^The following day we tore our papers into signatures and bound them into a book with a canvas cover with a longstitch binding. I can make three more books with the extra signatures I made.

FOBA - Leighanna Light's Surface Design on Metal and Paper class

^^^Then came the tough decision – what metal plate to use on the cover? I would have been fine with several of these. It helped to cut down the leaf prints into smaller sections. Once I did that, one stood out and I went with it.

FOBA - Leighanna Light's Surface Design on Metal and Paper class

FOBA - Leighanna Light's Surface Design on Metal and Paper class

We attached the metal with a metal punch and little nuts and bolts. I originally bound the book with red thread to give it a pop, but after I attached the plate I rebound it with black thread. Part of the look was to hang ribbons and yarns and odd bits to the threads hanging off the spine. I like that kind of thing, but I didn’t go for it with either of my books. I preferred the simple look of the plain black thread on the spine, so I brought the ends of the threads to the inside as in a pamphlet binding.

FOBA - Leighanna Light's Surface Design on Metal and Paper class

FOBA - Leighanna Light's Surface Design on Metal and Paper class

I still need to glue the back and front papers to the cover, but I’m very happy with the results I had in both workshops. I don’t expect to come home with something that I am so satisfied with, because the idea is that I am learning and playing, so this was great.

Susanne and I flew back on the redeye from Portland to Greensboro late that night. PDX is a great airport, with good shops and restaurants at normal prices. I end this series with the amazing banh mi from Bambuza Vietnam Kitchen, which I washed down with a “Made Marion” marionberry cider from 2 Towns Ciderhouse. I will miss the food and drinks in Oregon.

Bahn Mi at PDX

art retreats, book arts, Focus on Book Arts, Forest Grove, Oregon

Focus on Book Arts – The Construction of an Art Book

My first class at Focus on Book Arts was with Leighanna Light, titled “The Construction of an Art Book.” Susanne and Kathy joined me for this one. For two days we collaged, painted, and stenciled a strip of canvas that was folded and glued into a book. We also stenciled onto metal pieces and applied chemicals for a “faux etching” effect.

FOBA - Leighanna Light's The Construction of an Art Book class

FOBA - Leighanna Light's The Construction of an Art Book class

^The process

FOBA - Leighanna Light's The Construction of an Art Book class

^Painted canvas strips drying

FOBA- Leighanna Light's The Construction of an Art Book

^Photo by Leighanna Light

FOBA - Leighanna Light's The Construction of an Art Book class

FOBA - Leighanna Light's The Construction of an Art Book class

FOBA - Leighanna Light's The Construction of an Art Book class

FOBA - Leighanna Light's The Construction of an Art Book class

FOBA - Leighanna Light's The Construction of an Art Book class

FOBA - Leighanna Light's The Construction of an Art Book class

^^^My book and each page spread

FOBA - Leighanna Light's The Construction of an Art Book class

^Faux etching with stencils on copper and tin

FOBA- Leighanna Light's The Construction of an Art Book class

^photo by Leighanna Light

FOBA - Leighanna Light's The Construction of an Art Book class

^Leighanna with the students’ books

FOBA- Leighanna Light's The Construction of an Art Book  class

FOBA - Leighanna Light's The Construction of an Art Book class