Back Forty, coffee pot posts, fiber art, Lake Waccamaw, Reading, Slow cloth

Sunday morning coffee pot post

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We’ve been home from the lake a week now, and it was a good time. I finished my stitchery for the Gardens of the Heart project at last. We ate a lot of good food and enjoyed good company. I ate at Dale’s three times!

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It was fun sitting on the pier and watching this heavy rain storm come through. Most of the time it was perfect weather. It was a bit humid but stayed in the 70s/80s. We turned off the air conditioning for most of the week.

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Yesterday I bought the pieces and joints for my new pipe loom. It will add a steampunk flair to the studio. Putting it together is the next thing on my agenda for today.

We went to Ed McKays used book store and I don’t know what happened there but it was a very good thing. Lots of new old books, some that I would have grabbed in hardback if I was still collecting certain authors. Prices were lower…the bargain shelves had much lower prices for better selection of books. We bought a copy of The Passionate Vegetarian by Crescent Dragonwagon for $1.50, now the biggest cookbook on my shelf. HUGE, and don’t you love her name! Also two prequels to the Mists of Avalon, a quarter each. And The Painted Drum by Louise Erdrich. Yes, I know I swore off buying books this year. Some others will go to the little free library to make room.

Finished Four Souls and found that it wasn’t depressing as I feared it might be. It was actually very funny in parts. I don’t think I’ve ever not enjoyed a book by Louise Erdrich.

When we finished errands yesterday I sat down with my t-shirt scraps and worked on the t-shirt blanket. Or I should really say played, because I got into it so much that I lost all track of time and didn’t want to stop! I finished putting together one of the panels for the back side – it will be reversible, but I think of this as the back side. And played with sewing all these little scraps together. So much fun, and I made myself throw away the teeniest scraps instead of hoarding them for paper or whatever. There was a while when my intention was to use up every bit of everything. Nice concept, crappy reality in a small house. I don’t think that I will put a batten between the two layers. I’m going to just sew the layers together in a grid.

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Groundhogs have started eating the tomatoes, even the plants, that are not in cages. Okra is gone. I’m amazed that they haven’t gone after the ground cherries or the huge candy roaster squash vines, but I probably shouldn’t have written that. Tempting fate. I still have lots of cherry tomatoes and the Roma tomatoes under the wire cages. The fig bush is loaded with fruit. With all the rain, everything looks lush but the skeeters have come out.

The silver maple is scheduled to come down this Friday. Mixed feelings. I love trees, but not necessarily this one. There will be more sun for gardening and for solar panels. It will be safer and a good thing, eventually.

Alchemist's Apron, art, dyeing, fiber art, Lake Waccamaw, Nature printing, North Carolina, Slow cloth, Upcycling

Alchemist’s Apron project

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Last weekend Sandy and I went to Lake Waccamaw and I gathered materials to dye my project for India Flint’s online class, “The Alchemist’s Apron.” I’ve experimented with natural dyes down there before without a whole lot of luck. This time, using a good mordant and bundling the plant materials directly in contact with the cloth did the trick.

In this project we cut apart a shirt in a particular way to make an apron. This is a lightweight denim shirt that Sandy discarded a long time ago. I saved it, paint stains and all. I have a few other white thrift store shirts that I could use, but I wanted to experiment on this one first. Blue is my favorite color, unless you bring up any of my other favorite colors, like orange, purple, yellow, brown, black, red, and green.

I made a mordant from iron scraps, white vinegar and water in a pickle bucket that is safe to use but turned out to be almost scary powerful. The chemical reaction creates a billowing orange foam much like the toupee on Dear Leader’s head. I have a lifetime supply of iron mordant now because I have to dilute it so much. This mordant developed over about eight days.

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Even after diluting it with rain water it had a weird metallic sheen on top which cracked when touched. I ended up straining it through a piece of thick cloth to get out most of the rust, poured in hot tap water to dilute it more, and even then I got a lot of brown/orange color on the shirt. I soaked the shirt for two days and a half in this mordant solution.

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Then I bundled it tightly with swamp bay leaves, common privet leaves, red tip photinia leaves, dried live oak leaves, dried bald cypress needles, dried sweet gum leaves and balls, and some dark blue berries that could have been from the swamp bay or Chinese privet. They were growing beside each other and I identified the Chinese privet after dyeing, which was a no-no. The leaves and berries of Chinese privet are toxic to ingest. My guess is that they are not dangerous to the skin since I saw nothing that mentioned it and this will be going on over other clothes. I cleaned up all the berries and washed the apron well. Also, I could be wrong on the ID.

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The swamp bay leaves smelled heavenly in the dye bath. Some leaves didn’t leave a print but made a negative print where they blocked the dye from the leaves on top on them (a resist) and had a black edge around them. Looking at it today, I wonder if the black leaf prints are actually the dried live oak leaves and the leaf prints with the black edges are the swamp bay leaves. Unwrapping these bundles is such a joy – you just don’t know what you will get. I knew that it would be mostly black prints because of the mordant and the tannins, but that was about it.

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Here it is after rinsing it in the bathtub. It has since been washed and dried and lost none of its color. I’m pleased,, because early spring is not the best season to do natural dyeing.

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The next step in the class is to dye threads for stitching and sewing on pockets. Many pockets. I needed some more thread dyed with broom sedge to finish an old project anyway and I saw some down the street on the old train tracks, so I’m going down there to gather it now. It makes a lovely yellow.

I also stuffed a garbage bag full of Spanish moss that covered some tree branches piled on the side of the road for pickup. That will be mulch for my container garden. The birdies love to line their nests with it too. I’m sure that conservative crowd living at the lake thinks I’m bananas walking along the canal road, plucking up Spanish moss and leaves and branches from their yard trash piles, wild graying hair, braless, and no make-up, with my Bernie 2016 bumper sticker on my car in the yard. Ha!

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art, Back Forty, Bagstories, Rebel stitching, Slow cloth, tapestry, weaving

Sunday update

I don’t have much to say today, because HEADACHE, but I wanted to document that I planted Green Arrow peas in planters, Sugar Ann snap peas in the raised bed with the pineberries, and sprouted chunks of Yukon Gold potatoes in another planter. Now for another day of rest and stitching while the rain comes down.

Detail of Boro fabric, lots more stitching to do

Vegetable beef soup was made yesterday, so cooking is off the list today.

I have one goal today that I keep putting off – take the backing off the tiny tapestry “Pacific Pines,” square it up, and sew the backing back on. This is the one that I’m sending to the ATA unjuried small format show.

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Before photo of the Back Forty. My hope is that it will look much prettier in coming weeks. The formerly screened gazebo in the back is going to be stripped of its fabric soon. I can’t buy a fabric roof and screening that stands up to the limbs and vines coming at it from the back. We may move the metal structure out into the sunnier part of the yard and screen it with metal screening. Sandy wants to do some wattle vine and stick weaving around it, which I think is a great idea. It would make an excellent structure for growing mushrooms inside if we did that. But I can’t even think about that now. Maybe next year.

Late winter in the Back Forty.

art, Back Forty, Bagstories, coffee pot posts, fiber art, Slow cloth, tapestry, Tapestry Diary 2018, Upcycling, weaving

Saturday morning coffee pot post

I’m sure that most people in the world would rather be doing something else full-time than what they do to earn a paycheck. I am grateful for and appreciate my job very much, not in the least part because I have had some really shitty jobs in the past and worked with some awful people, and my job is wonderful compared to them. I know what a good thing is because I’ve experienced the bad. But I’m going through a period when I ache to be in this studio, weaving or stitching. I alternate between being fearful and anticipatory about my retirement, which, if I’m lucky, is ten years away. I want to leave this country, this state, this city, and then I think that I could be happy here for the rest of my life if I could only ignore politics.

Greensboro is a great small city, really. It’s just that I haven’t lived anywhere else but here and Marietta.

Okay, so this week was very stressful and it wasn’t supposed to be. By the end it all calmed down but only because we all needed to make mind adjustments. Everybody’s stress was rubbing off on everybody else and once we all saw it, we could acknowledge it and work on it. I’m not going to talk any more about work here but I need the artwork more than ever. Stitching on this boro fabric is particularly good for lowering the blood pressure:

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Midweek, I stopped on my walk to work to look around when my crow friends were behaving oddly. Sure enough, there was the red-tailed hawk in the tree nearby. The crows were flying around him.

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He flew away to the top of the art building, when I noticed his mate was perched nearby. She joined him, and the crows continued to hassle him. I was excited because I had not seen the female before. The male flew away and the crows followed, then he returned and everything seemed peaceful. I put my camera away. Then he hopped on the female and mated! I got to see two hawks getting it on! No photo, it was over quickly when the crows came back to annoy them.

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I tried to capture the hawk in my tapestry diary this week. I am a bit frustrated with the limits that I set for this project sometimes, although I think that they are good ones. Using just the cotton and linen thrums on an 8 epi warp and a daily format across the frame for each week is starting to feel a bit oppressive. I think that it is a good exercise, but if it was a closer warp and I used wool, I could weave some beautiful images. This is a bit like weaving emojis from the 90s. However, this is not supposed to be a work of art, it is supposed to keep me weaving on a regular basis, try out a few ideas, and use up these thrums that would otherwise be used for ties or take up space or be thrown in the garbage or compost pile.

Tapestry diary 2018

One way for me to get through this busy time of the semester at work is to consider all the lovely plans ahead of me. I will be taking online classes from both Jude Hill and India Flint. In May, I’m going to the Tapestry Weavers South retreat on St. Simons Island in Georgia. That’s an area where I’ve never been. It is possible but doubtful that I’ll go to Tommye Scanlin’s tapestry class at John C. Campbell Folk School the week of Memorial Day. The last I checked I was third on the wait list. Susanne and I are going to Leslie Marsh’s Chinese thread book workshop at Topsail Beach one weekend in mid-June. Mid-July, we are spending a week at Lake Waccamaw and my cousin and aunt from Colorado are coming to join us. Then in September, the plan is to take a week to see Yellowstone and Grand Teton National Parks. That’s what the tax return will go to, most likely.

Really, I have such a good life.

Lenten roses are loving the front yard, and the grape hyacinths that I transplanted last year are beginning to peep up. I’ll plant some peas today before the rain begins again.

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art, Bagstories, fiber art, Slow cloth, tapestry, Tapestry Diary 2018, Upcycling, weaving

Rebel stitching

Getting ready to sew a piece of boro fabric and cut a few more squares for another bag.

Have you seen this new phrase? I like it. Rebel stitching. Not following the rules. It is what brought joy back to my interest in sewing. I’ve been fascinated with sewing all my life. My mother was an excellent seamstress and sewed a lot of my clothes until I reached the age of balking at wearing home-sewn. You know how teenagers are. I appreciated it later in my 20s, but by then I had given up on learning to sew properly. By that time, other than sewing me a dress and my niece’s bridesmaid dress, she turned to quilting.

I inherited a huge amount of fabric from her. Much of it I gave to an art project at Greensboro College and to Reconsidered Goods, but I have a lot stashed away that I can’t bear to part with yet.

I was a theater major my first go-round in college. By my senior year I knew that I didn’t want to be a high school drama teacher. My advisor told me that I was too opinionated to teach high school and should shoot for community college! Seriously! Ha, it was like listening to my mother. “So OPINIONATED!!!” What a word. But I am, and that’s fine.

I realized that it was insane to continue in the education program, and although I might have been a good director, I hated dealing with the egos of my fellow acting students, and I had no chance at all to be an actor or the skills to be a techie. So I set my sights on simply getting that diploma and working in the costume shop.

We had sewing lessons in costume shop and it was graded for credit. Soon I was relegated to the simplest tasks for the shows, such as simple hems and ironing muslin. Boy, did I iron a lot of muslin. I have always hated ironing. I worked backstage with the costume changes and the laundry. But I loved the costume shop supervisor, Ella, who was gentle and kind.

I loved gleaning the scraps from the trashcans and stitching them together by hand at home. There were so many different textures and brilliant colors. I sewed them together in patchwork squares, not paying much attention to whether they “went together” or were of the same weight or stretchiness. It was a kind of therapy for me, I guess. Many years later I dug those squares out and they were quite hideous! Most of them ended up going inside and cut up on the top of my Magic Cloth piece, “The Flag of Me”, that I did in one of Jude Hill’s classes. Funny that I can’t find a photo of the finished flag. I’ll do that soon.

Near the end of my last semester, the costume designer professor handed me a bolt of fabric and told me to cut it into three-foot lengths. I thought this was odd and asked her to repeat herself, and she did. She left, and I cut the entire bolt into three-foot lengths. She came back and had a meltdown in the middle of the room full of my classmates. “I said three-yard lengths! How could you be so stupid!” and out she stormed. I gathered my things and slithered out the door, and did not return until after the final test when I caught Ella alone in the costume shop. She treated me with warm sympathy, allowed me to take the written test, and passed me with an A. God, I love her still. I’m sure that she has passed from this world by now and if there is a heaven she is there.

Anyway, that “How could you be so stupid!” rang in my ears for decades. It still does when I see this professor on campus.

But I don’t feel stupid about sewing any more. I revel in it. If I mess up, I might get a little frustrated, but that is toward the sewing machine, not myself. I love to hand stitch whenever I am able to do it.

Who broke me out of that mind-fuck? It was Jude Hill. And a little later, India Flint, who I am doing the Bagstories online group with, and the next project, which is to sew a piece of boro fabric with the little pieces left over from my Wanderbeutel bag. Really, I cannot express enough how much joy these two teachers released when they gave me permission to follow my instincts with stitch. I saw that I was the one that had denied myself this “permission” all these years, and now I am free.

It spilled over into my tapestry work, too. Here’s the end of the tapestry diary for the week.

Tapestry diary 2018

I like using things that would be thrown away. That’s why I chose the leftover cotton and linen thrums to weave this diary. Next year, I’ll probably use wool.