Category: book arts

art, art retreats, book arts, dyeing, Nature printing, North Carolina beaches, Topsail Beach

Riveted by Nature on Topsail Island

Laurie

Friday morning I set off on my own to drive to south Topsail Island, near Wilmington, North Carolina. I’ve been there a few times before, and the last few times I’ve been there to take a class from Leslie Marsh. This class was similar to one I’ve taken from her before, but this time we riveted a leather spine onto the soldered, stamped metal covers. We leaf printed the inside pages in a nature dye vat for the inside signatures, and bound them with a variation of longstitch.

Molten metal scares the crap out of me, otherwise I would fully embrace this technique! I enrolled in Leslie’s wearable metal book class during the pandemic, and I have all the supplies, but I just couldn’t bring myself to do it without someone knowledgeable standing by. My first go on these covers were kind of pitiful, and I almost settled for them, but after I saw the other covers in the class, I went back to the soldering station and I resoldered and stamped the covers on my own, so, yay me!. I plan to find a cool bead or shell or other natural object to attach to the top of the spine. I liked this cabochon that Leslie provided because it reminded me of the little turtle I rescued earlier this month.

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If I ever do this again with the rivets, I will not solder or stamp with a lot of texture on the sides next to the spine or anywhere else that the rivets go. That presented a problem for me in drilling and inserting the rivets. My drill kept slipping and my holes got wonky and I messed up the leather in places. I also dyed all my pages instead of inserting white pages in the signatures, which I think made the other text blocks pop after I saw them. Still, I’m quite happy with the result.

I didn’t follow directions very well this time either. I placed the cabochon at the top, so my leather binding had to be shaped differently. Plus I was ready to bind before everyone else so I did my binding a different way. HA. If you’d like to see the other books from the class, you can see them on Leslie Marsh’s Instagram page. 

The pages and the felt bag were dyed in Leslie’s dyepots by rolling them onto copper pipes with leaves and tightly binding the bundles to the pipes. One of my discoveries in this round was redbud leaves. Also, the leaves from my eucalyptus tree didn’t give the reddish oranges that the silver dollar eucalyptus leaves do. I wish I had used more of them. I didn’t get good definition on my wool felt so I’m going to embellish it with embroidery, and next time I am not going to bundle paper with it on the same pipe.

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If you are interested in taking any of Leslie Marsh’s classes or buying her fabulous work (she is a multi-talented artist!), her website is www.leslie-marsh.com/.  I must warn you that her classes sell out very quickly!

I’ll make another post for my other photos from Topsail Beach.

book arts, coffee pot posts, critters, Reading, tapestry, weaving

Saturday morning coffee pot post

Laurie

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Here’s Diego looking all sexy for you.

I missed writing my weekly blog post last weekend, but we did get a lot of things done. Our focus was on cleaning the front porch and everything on it. I never knew that window screens could get so dirty. It is mostly done, and the cobwebs are already back. Pablocito likes to eat the cobwebs for some reason. This weekend began with a heavy rain and the forecast shows rain for the next three days. It’s unfortunate because our city’s big outdoor event, the North Carolina Folk Festival, is happening. George Clinton and Parliament Funkadelic is supposed to play tonight. Sandy still wants to go downtown to see the arts and crafts, but I don’t feel enthusiastic about wandering around in the rain. Sandy and I have to sit down a lot and I don’t think he minds having a wet butt, but I do. So he has asked me to drop him off downtown.

This means that I have to decide if it is worth it to go to the studio at the Cultural Arts Center. I could take an Uber and not have to deal with the parking, although I wonder how many people will still come now that it is raining so hard. Last Sunday I continued with my idea for redoing the cover on the book I made in Dan Essig’s class in June. This is a bit tricky, because these tiny washers are made from mica, and mica and glue don’t usually work together well. Mica is made from hundreds of tiny layers and glue will pull off the layer next to it. So what I tried to do is encase them in acrylic gel medium. I’ll see how well they will stick when I get back to the studio. I also prepared several more illustrations to go into the pages.

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I guess I’m back into dots and circles these days.

The event that disrupted most of my plans for Labor Day was this little fellow. As I sat down to eat dinner on Sunday night I heard a loud cry and fluttering from behind our fireplace insert, which I thought was a bird. When Sandy detached the woodstove pipe and cover to the fireplace, he found two dead squirrels, a nest, and this guy, apparently unhurt.

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We ran around all panicky trying to figure out what to do, and of course ended up doing some things that we shouldn’t have done, but I posted on Facebook and tagged a couple of people who have done wildlife rehab or knew people who did, and was reminded that my friend Leslie who owns the Yadkin Valley Fiber Arts Center in Elkin, a little over an hour away, had successfully rehabbed a baby squirrel and released it to the wild this spring. She still had supplies such as two cages and the formula needed and volunteered to take him. Susan rode with me to Elkin in the pouring rain and we made the transfer. He was a little dehydrated but a day later he was drinking formula and seemed to be doing fine. She named him Archie after Archie Brennan!

I may be seeing him again about a month from now when Tapestry Weavers South has its retreat in Elkin.

Fortunately, the guy we use for chimney cleaning had a cancellation on Tuesday, and he cleaned out the dead squirrels and the nest material and inspected the chimney with a camera. Unfortunately, he says that the old terra cotta flue lining is cracked where there has been a past chimney fire and says that it is unsafe to use. He recommends a stainless steel lining which would cost $4000. I don’t think that we need the wood stove for that much money so I might get a kerosene heater for emergencies. For that kind of money I’d rather get a few more solar panels and one of those electric heaters that looks like a fireplace. He will come back in October to critter proof our chimney caps.

Speaking of that – why the hell does anybody manufacture a chimney cap that critters can get into? I spent a lot of money repairing and rechinking the mortar on these three chimneys and putting metal caps on them in 2011. Grrr.

Earlier on Labor Day, Susan and Jerry and Sandy and I went to Oscar Oglethorpe, where I picked out new glasses and got my old frames repaired. Then we went to Natty Greene’s for lunch. I’m looking forward to my new eyeglasses – they are bright blue.

Today I’ll work on getting this “O” postcard sized tapestry underway. I ordered this artist’s backpack from Amazon after seeing a tapestry weaver recommend it on Facebook. It is the perfect size for my frame looms and some yarn, and I use the front pockets to carry my lunch and drinks to work and back. My co-workers say that I look like I’m going backpacking with my hiking shoes on, but I don’t care. It is convenient to store the loom and yarns in the backpack, and I don’t get cat hair in it.

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Reading: I finished “The Known World” by Edward P. Jones. It is one of those books that makes it difficult to decide what to read next because it was so good. I’ve finally settled on “Telegraph Avenue” by Michael Chabon.

art retreats, book arts, National Wildlife Refuges, North Carolina, Pocosin Arts School of Fine Craft

Pocosin Arts School of Fine Craft

Laurie

20220612_194148This week I attended Pocosin Arts School of Fine Craft to study again with Daniel Essig. This class was a second repeat of a class that I’ve taken with him before about wooden covers and mica pages. Every class has been a bit different though, with different tools available. I always learn new information. Too much information!

I’m going to post photos of my works in progress here, but later when the weather is not calling me to go outside (it is a rare cool breezy morning here) I will post photos of the finished books and some of the pages inside. Maybe a video if I can get it set up correctly.

Columbia is a tiny, beautiful little riverside town on the banks of the Scuppornong River, which empties into the nearby Albemarle Sound. If you keep going a little farther east on Highway 64 it will take you to Manteo and then the Outer Banks. It is home to the headquarters of the Pocosin Lakes Wildlife Refuge and a red wolf reintroduction and education center. There were at least two bear sightings while I was there and one was on the boardwalk that I walked on my first evening there on Sunday.

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Monday morning we began class and we were able to use several power tools and hand tools in Pocosin’s wood shop. I pushed myself to get past the fear of the power tools, although I am pretty comfortable with a drill. I was more nervous about getting the diagonal angle on the spine edge of the wooden covers right. Turned out that I was pretty good at it after a little bit of practice. We also had access to some great woodburning tips that Dan brought with him. Dan provided milk paint in ten different colors, and we painted over our distressed and burned covers with layers of milk paint, then sanded and polished them.

Much of the class was spent on preparing the mica covered pages, but I concentrated more on getting some other wood covers that I had bought from Dan in the past beveled on the sander and drilled. My mica covered pages were pretty simple affairs, and I will photograph them best I can later for the blog. They are shiny.

My work area did not stay this neat:

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Pretty papers to choose from:

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Covers before binding, and spine bound before the endbands were added.

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The original idea was that I would nail the mica windows down with tiny nails. It makes a really elegant finish and I was excited about it. However, when I tapped in the last nail at the top of the window, the board cracked. Dan repaired it for me with wood glue, but it meant no more hammering on the cover. So I changed the mica window to a thicker piece at his advice, and anchored it down with double-sided tape and blue Lofta paper. I will probably rework this cover because I have some other ideas now. I did get the end bands on it, although I need more practice.

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The first book we made was paperback with a small concertina fold to sew and glue the pages onto. Later we attached light wooden covers. 20220619_092540

When I had spare moments, I worked on the covers for the next book, which I am pretty excited about. I didn’t really have a plan for it except that I knew that I wanted to sew this piece of dried greenbriar vine to it. On the back in a mica window is half of either a hickory nut or a butternut that I found washed up on the shore of Lake Waccamaw. My plan is to leaf print handmade paper pages for this one, but I’m also tempted to make some mica encased page blocks that are thick enough to hold some of the tiny treasures that I collect at the lake. I could do both.

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art, book arts

Painted Papyrus Book Workshop

Laurie

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20210731_132327_0720210801_162246The reason I was at the beach: Dan Essig‘s rescheduled Painted Papyrus Book workshop at the home of Leslie Marsh in Topsail Beach, North Carolina.

We made two books: one with the papyrus showing on the cover, which is finished and I’m happy with, and one with the papyrus as a base.  We covered the one with papyrus as a base with crumpled Cave paper, then painted with several layers of milk paint, then sanded or rubbed off top layers in places, then buffed it with shoe polish. The smell reminded me of my daddy on Sunday mornings.

I didn’t finish the second one because I was NOT happy with the endband binding. It was a hard technique to learn anyway and then I was having vision problems. I’m going to take what I did out now that I got the hang of it toward the end and redo the bottom, add the endband at the top, then glue and stitch the covers together.

Of course, since it is Dan’s workshop, we received pieces of mica to include in our books. I was lucky to get a piece with some great black and rust inclusions so it will be featured on the front cover of the second book.

Leslie’s studio, which has been featured in the magazine What Women Create, is the inspiration that made me start ditching my plastic bins in favor of old cigar boxes and baskets.

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book arts, dyeing, Nature printing

Natural dyeing on paper

Laurie

Posting these photos before I forget again! It’s been over a week since Susanne and I pulled these bundles out of a dyepot with black walnuts and a bunch of leaves we didn’t use inside the bundles. We didn’t put a lot of effort into this – it was just fun.

Susanne tried a long roll of handmade hemp paper wrapped around a copper pipe. I rolled commercial papers that I think were cotton based around copper pipes with various leaves, and a small stack of watercolor scrap pieces with sheet metal and grape leaves layered between them and bound with rubber bands between two small wood pieces.

We had some successes and some disappointments – I really expected prints from the fig leaves – but all of it was fun.

art, book arts, dyeing, Nature printing, North Carolina beaches

Leslie Marsh’s Nature Bound workshop

Laurie

I do not have many photos from this workshop, a sign of excellence for me. It means that I was so much in the present moment that I forgot to take photos. It is generally hard to get into one of Leslie’s workshops because they fill quickly, but someone canceled and I took their place. Leslie Marsh has a beautiful home and studio on one of North Carolina’s barrier islands at Topsail Beach.

A trademark of Leslie’s book workshops is natural dyeing. She studied with India Flint and developed her own techniques of eco-printing. I particularly like Leslie’s method because she skips the mordanting step and puts everything in the dye pot. When we wrap our papers and fabrics with leaves around copper pipes, all we need to do is wet them and bind them tightly to the pipes. Then she pops them into her potion and they come out transformed. I have found that I do not like the mess of natural dyeing and so this is like heaven for me – the magic without the prep and clean-up. I am not fussy and precise. I enjoy the surprise.

This particular workshop was special because it definitely took me out of my comfort zone. We learned Leslie’s method for her metal book covers, which involves liquidified solder! Leslie is a wonderful, patient teacher and gave each of us individual help as we used these tools and methods for the first time.

We spent a cold Saturday preparing the dyed and leaf printed papers and wool felt, and metal covers for our books. Then we spent Sunday binding the books with coptic stitch, which I do so seldom anymore that I always need a refresher. The second photo of the finished book was taken by Leslie.

I took a little while during the lunch break on Sunday to visit the beach and collect some shells. I love the old worn out ones with holes in them. Sandy mostly stayed in our room at the Jolly Roger because he was sick on Saturday, but he revived on Sunday and drove around exploring while I finished my book. Our room was oceanfront, and I was really impressed with these surf fishers who were out there even late at night. Because he was sick we didn’t eat out Saturday night but we had appetizers and dessert at the Beach Shop Grill on Friday night. Their crab balls are exquisite. Expensive restaurant though. We couldn’t afford to eat there often if we lived nearby.

Anyway, I would take every workshop from Leslie Marsh that she offered if I could.

art retreats, book arts, Focus on Book Arts, Nature printing, Oregon

Focus on Book Arts – Surface Design on Metal and Paper

Laurie

I have so much fun with Leighanna Light’s techniques that I decided to take both of her classes at FOBA this year. I took a break on Friday because I have finally learned that I cannot go full charge for five days at an art retreat without falling apart before the end. Kathy went home. So that was the day I roamed around town by myself and took photos. Susanne and I sent three boxes full of stuff that we bought or no longer needed for classes back home by Priority Mail. I repacked everything and left the suitcase with one wheel in the garbage can.

On Saturday, Judy joined my class, so it was nice to reconnect with her. She gave me an accordion flag style book she made with her handmade paper and photos she took of the textures at Yellowstone National Park. Such a nice memento of our time together there. I’ll post a photo later. Also sitting at our table was Virginia Sumner, attending her first art retreat. She was kind enough to give us a ride back to the MAX line station so that we didn’t have to lug bags too far. You can check out Virginia’s artwork here. I love making new friends at art retreats, even though I didn’t try very hard at this one.

^^^On Saturday morning we concentrated on the techniques that would have to dry for a while. The first thing we did was make gesso photo transfers on metal. It’s a very simple technique but I always have problems with any kind of photo transfer. I think that I will try to rub a little more paper off.

^^^I had some extra tin so I played with gesso and stencils again.

^^^We went out and picked leaves to do leaf prints on copper and brass. This is a technique that Leighanna developed. The brass turned the copper a bluish color where they were stacked – or was it the copper turned the brass blue – aw heck, I’m mixed up, but it was cool. I think that the brass is the bigger piece.

^^^We spent the afternoon painting and stenciling and stamping watercolor paper with gesso, let them dry, then painted over them with dyes and chalk paint. I could do this for weeks and I don’t know why I don’t do it more when I am at home. I am resistant to getting paint on my hands and I hate gloves so I guess that is it, but if I am somewhere else in a workshop I am happy slapping wet stuff on paper and getting it all over me. I kept going back and adding more color here and there.

^^^The following day we tore our papers into signatures and bound them into a book with a canvas cover with a longstitch binding. I can make three more books with the extra signatures I made.

^^^Then came the tough decision – what metal plate to use on the cover? I would have been fine with several of these. It helped to cut down the leaf prints into smaller sections. Once I did that, one stood out and I went with it.

We attached the metal with a metal punch and little nuts and bolts. I originally bound the book with red thread to give it a pop, but after I attached the plate I rebound it with black thread. Part of the look was to hang ribbons and yarns and odd bits to the threads hanging off the spine. I like that kind of thing, but I didn’t go for it with either of my books. I preferred the simple look of the plain black thread on the spine, so I brought the ends of the threads to the inside as in a pamphlet binding.

I still need to glue the back and front papers to the cover, but I’m very happy with the results I had in both workshops. I don’t expect to come home with something that I am so satisfied with, because the idea is that I am learning and playing, so this was great.

Susanne and I flew back on the redeye from Portland to Greensboro late that night. PDX is a great airport, with good shops and restaurants at normal prices. I end this series with the amazing banh mi from Bambuza Vietnam Kitchen, which I washed down with a “Made Marion” marionberry cider from 2 Towns Ciderhouse. I will miss the food and drinks in Oregon.

art retreats, book arts, Focus on Book Arts, Forest Grove, Oregon

Focus on Book Arts – The Construction of an Art Book

Laurie

My first class at Focus on Book Arts was with Leighanna Light, titled “The Construction of an Art Book.” Susanne and Kathy joined me for this one. For two days we collaged, painted, and stenciled a strip of canvas that was folded and glued into a book. We also stenciled onto metal pieces and applied chemicals for a “faux etching” effect.

^The process

^Painted canvas strips drying

^Photo by Leighanna Light

^^^My book and each page spread

^Faux etching with stencils on copper and tin

^photo by Leighanna Light

^Leighanna with the students’ books

art retreats, book arts, dyeing, Mixed media art, North Carolina, North Carolina beaches

Ancient Wisdom

Laurie


A couple of weekends ago, Susanne, Sandy, and I went to Topsail Beach for a long weekend. Sandy hung out by himself mostly while Susanne and I took a workshop with Leslie Marsh and Kim Beller called Ancient Wisdom. We stayed at the Jolly Roger Inn and Pier. The weather was a bit chilly and cloudy and it rained really hard one night but we got out on the beach a little. We had oceanfront rooms and that was nice.

We drove down on Thursday evening and ate dinner at the Beach Shop and Grill. With that name we expected hamburgers and hot dogs but it was a very expensive and wonderful restaurant. Sandy saved us by picking up the check. He had crab cakes that were divine. I am not sure that there was any bread in them at all. Susanne and I had shrimp and grits and I think that they might now be number one on my list of favorite shrimp and grits places.

In the morning, we indulged in doughnuts from the Fractured Prune. At this point I knew that there was no hope for my diet. When we went back to the hotel room, Susanne and I walked on the beach and picked up stuff, as you do, and after we went up to our rooms this guy showed up drawing fabulous runes on the beach in front of our hotel. Our own personal installation artist.

Friday afternoon was spent cutting our windows into bookboard and wrapping the covers with plaster gauze. They had to cure overnight.

When we got back to the hotel, the artist had finished.

Then we drove to Wilmington and ate dinner at one of our favorite places: Indochine. The rumors of its demise during Hurricane Florence are not true, thankfully.

The next day was dyeing day! Leslie had eight different natural dye pots going in her backyard and we spent most of the day dipping our book pages in them. What a great opportunity for overdyeing! I have never had access to so many colors at one time so I went nuts. I could not tell you the combinations on a lot of my pages, but I used indigo on most of them. Turmeric, avocado pits and skins, black walnut, and turmeric made good combinations too. Other dyepots held madder, yellow onion skins, red cabbage (which fades to light gray) and blueberries (also light-sensitive and fugitive). Honestly, I never guessed that you could get such beautiful natural dye results on paper.

We forced ourselves to stop and paint our plaster covers so that they would be dry by the time we bound our books the last day. I cut my mica too close to the edge because I was thinking that the plaster would be covering it. Stitching it that close to the edge ripped out through the sides so i improvised. Those sea oats were picked up off the road after the hurricane, by the way; no illegal picking of sea oats happened here. I scratched and stamped circles into the plaster to honor the art work I had seen on the beach – this is still a work in progress.

That night we ate at Sears Landing in Surf City near the bridge on the Intracoastal Waterway. This is a place where I will definitely return. All the weight I lost and more came back by the end of the night.

After dinner we went to Quarter Moon Books and Wine Bar  where the three of us and Pam, a friend we met at the workshops down here, had drinks and listened to some great acoustic music by The Doug McFarland One. (He is a hoot.)

On Sunday we bound our beautiful colorful signatures with longstitch (for using as warp for weaving later) and then put the whole shebang together with coptic stitch.

We didn’t have time to do the woven binding but I drilled holes in the back cover and I am working on embellishing this book further now.

Thanks, Leslie Marsh and Kim Beller for another exquisite workshop experience! Also to Bee Shay for spending her lunch teaching a few of us to wrap stones with macrame stitching for hanging. What a sweet weekend it was.

art retreats, book arts

Email to the Triangle Book Arts group

Laurie

(Posting the email below since I think it got blocked as spam to the Triangle Book Arts group. So many links, and it would be a shame to waste the work in putting it together! Anyway, some others might find it interesting too.)

Hi everybody,

I came home from the TBA Holiday Party so happy, and believe it or not I am NOT a party person so THANK YOU THANK YOU THANK YOU.

A lot of you were interested in the three books that I brought. Each was constructed in a workshop and I promised to send information about those workshop teachers. I am an art retreat addict, which is why I still drive a 1996 Chevrolet.

**************

Leslie Marsh is a book artist and natural dyer who lives on Topsail Island. She teaches workshops all over the country, and now she lives here in NC! Her website is http://www.leslie-marsh.com/. I plan to take the Ancient Wisdom II class March 8-10.

The book with the leaf and indigo printed pages is from her Zhen Xian Bao workshop that I took in June this past year. Here’s a link to a blog post I wrote about it:
https://slowlysheturned.net/2018/06/12/zhen-xian-bao-by-the-sea/.

Ruth Smith did the research to bring this book structure to the States. A link to a PDF about the structure is here:

http://www.foldingdidactics.com/wp-content/uploads/2015/12/zhen_xian_beyo.pdf

**************

I took another class in this structure at Focus on Book Arts in Forest Grove, Oregon. This book arts conference is held in late June every two years. For its scope and quality it is one of the least expensive art retreats out there and well worth the trip. Here is a link to FOBA and a link to my blog posts about classes there:

https://focusonbookarts.org/

https://slowlysheturned.net/category/focus-on-book-arts/
(Keep scrolling for the posts about the actual classes I took. But Forest Grove is a pretty cool little town, about a 30 minute drive west from Portland.)

I save up for and do everything I can to attend this one every time it is held. This year I hope to take at least one more class from Leighanna Light, but the calendar is not up yet. The sneak peeks are up.

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The little box/book with the tiny books inside was constructed in Sharon Payne Bolton’s “Hertel” class, part of the Stamford, Connecticut “Talk Story – Eat Cake Create” art retreat. This is another great art retreat for mixed media and book artists.

Here is the link about my experience in the class with photos of other students’ books:

https://slowlysheturned.net/2018/10/14/talk-story-eat-cake-create-art-is-you-movement-stamford-ct/

The art retreat info: https://www.eatcakecreate.com/ which should be updated for 2019 soon.

Sharon’s workshops: https://www.sharonpaynebolton.com/workshops-in-the-works-coming-soon

***************
The deck of painted playing cards was painted in the 52 Card Pick-up workshop by Seth Apter and it was held here in Greensboro back in February. He also is a educator for Eat Cake Create art retreat and holds workshops in smaller venues all over the country. Helluva nice guy, too.

My thoughts, with a lot of other personal journaling you might want to skip:
https://slowlysheturned.net/2018/02/10/saturday-morning-coffee-pot-post-96/

Seth’s web site: http://www.sethapter.com/

All these instructors and retreats have Facebook pages.

I hope you enjoy going down these rabbit holes! Have a great wintry weather weekend!

Laurie