You can see the steps in the progress here.

I thought that I might share a little about my creative process in doing the mini tapestries. It’s so simple that it won’t take long. Reading Living the Creative Life and The Artist’s Way made me think about this, and I figure that it’s worth sharing.

This is my current workspace in the Happy Room, on the futon that serves as a guest bed. Isn’t it a mess? But it’s really working for me, like I have a pallette of yarn.

I found that the trick to keeping my creative energy going is to always have a little cardboard loom ready. It takes about five minutes tops to warp a piece of cardboard, which I prepare by snipping slits top and bottom 4 or 5 slits to an inch. You can’t really get a lot of detail with this method, but the simplicity and limit is part of the charm for me. For more detailed designs, I use a pin loom, where I can get 8 ends per inch.

I could draw a design on the cardboard, but what I do with the mini-tapestries is that I begin with a blank cardboard piece, pick up a color, and begin. It helps a lot to have an idea prompt. I have a theme right now of “By the Sea.” As I needleweave the yarn into the warp, an idea will begin to develop. If it doesn’t, I do a solid block of color. I figure that I can embellish the solid blocks with beads, shells, embroidery, or needle-felting later, so it’s definitely not a waste of time. The point is, I don’t wait for an idea. I just start weaving.

If I’m not totally thrilled with it, it’s okay. I’ve only put a couple of hours into it at the most, and now that I’m interested in assemblage and collage, I figure that I’ll find a way to work with it later. In the meantime, I’m free to play, which is not something that usually happens with weavers. And playing was something that I struggled with so much that I even made “learning to play” a project for my “Creating Peace” class only last fall.

If I get an idea for a more complicated idea, I’ll work that out later with a cartoon (design for a tapestry). I should make notes, but I have to work on that. It’s usually hard for me to stop weaving and start writing notes! I had a dream last night with an idea for a weaving that I awoke from and said to myself that I should write it down. Of course, the part of me that wanted to go back to sleep convinced me that I would remember this great idea in the morning. Of course, I have not remembered the details as of yet. I’ve had a lot of these dreams and they’re wonderful in their details, but by the time I get to the coffee, they’re a fuzzy warm pleasant feeling. So I need to work on my methods for recording ideas.

Here’s a photo of the back of one of the tapestries. I designed these “signatures” in Word and copied eight to a standard 8.5 x 11 page, leaving a bit of space where I can attach a pin if needed, and then I used Ricë’s technique for printing them on a piece of muslin. I left the freezer paper on the back and cut them apart.

Then I made hemmed backs of a watercolory-looking blue fabric to fit the back of each tapestry (using fusible webbing), fused those directly to the back of the tapestries, then peeled away one of my muslin signatures and fused that on top of the blue fabric.

Here’s the (un-) funny thing - I decided to use fusible webbing for many of my sewing tasks to save my hands some stress and because I am such a klutz that I stab myself with needles and pins all the time. Well, here’s this fabulous alternative, right? I bought a little craft mini-iron that has a long rod handle and a little flat iron tip that I could use for little areas and corners where I might need more precision. So what was the first thing I did with my fabulous new tool yesterday? I mindlessly grabbed it in the wrong place and burned the hell out of my right index fingertip. If I don’t learn anything else from this hobby, I will learn mindfulness, the hard way if necessary.

“By the Sea: Wave”; series of tapestry artist trading cards, woven for trading at Art & Soul in early May. Woven on cardboard loom. Linen warp, cotton weft. 3.5 x 2.5 inches.

“By the Sea: Tidal Pools”; series of tapestry artist trading cards, woven for trading at Art & Soul in early May. I drew on memories of Sunset Beach and Tubbs Inlet for these seascapes. Woven on cardboard loom. Linen warp, wool weft. 3.5 x 2.5 inches.

The next two will be pins:

I’m not done embellishing the one on the right - I plan to bead an edge around it.
Left: Linen warp, cotton, wool, and chenille weft, shells. 3 5/8 x 2 3/4 inches.
Right: Linen warp, cotton, wool, and chenille weft, shells. 3 1/4 x 2 5/8 inches.

“By the Sea: Overcast Low Tide” - I think that we’ll keep this one, as it is too big for an ATC and I’m rather fond of it. The wool for the sky was space dyed leftovers from a weaving years ago. Linen warp, wool weft. 3.75 x 2.75 inches.

Here are the first two small tapestries of a series of four. This is “Earth” and “Fire.” Guess what the other two will be!

I took a piece of the cardboard box that I used for my tapestry bag and decided to work that part of the design in different colors. The loom is just string wrapped around a piece of cardboard with slits cut across the top and bottom - nothing expensive or complicated about that! I used some of the multitudes of leftover scraps of wool yarn that I have hoarded over the years.

These are 4 x 6 inches each and could be used for fabric postcards if I wanted to go that way…I think that I will mount them together as a wall piece though. The challenge is getting them mounted and maybe framed. Once I’m done weaving, it is very hard for me to follow through on presentation. Maybe I’ll do a simple one-color quilted square to mount them on.

I still need to sew together some of the slits from the back and probably will fuse a backing to them.

I wanted to show you my little seascape tapestries, but I can’t seem to get a good photo of them. I’ll keep trying.

My goal today was to complete a woven artist trading card, and I achieved that goal! Well, almost. I have to put a backing on it, but I think that I’m going to wait until I get about half a dozen woven and back all of them at the same time.

Earlier this month, I wove two other little tapestries which I meant to be artist trading cards, but the size was not quite right. The only two restrictions for an artist trading card is that it can’t be sold and it must be 2 1/2 by 3 1/2 inches. Think baseball card. So those two will be pins. When I hit the size right, it will be an ATC, and when I don’t, it will be a pin.

The theme of Art & Soul is “By the Sea.” From what I understand, most of the attendees carry with them lots of little handcrafted goodies to trade. I’m weaving these tapesties on little cardboard squares, and they are doing double duty - they will be trades and they are studies for my next tapestry bag.

Weaving these little tapestries is one of the most relaxing things I’ve done for a long time, and it is so easy. Taking photos of the little weavings, not!!!!! Also, I planned to do a lot of beading on my collages and art quilts and fabric journals and weavings. I might need to get my bifocals first - it is definitely ten times harder than it used to be to thread a needle and poke it through those tiny little holes. So, to recap, weaving = fun! Photography and beading = frustration.

First there was the photo, taken at Healing Ground in Oak Ridge, North Carolina.

Then there was the idea and the cartoon…

Then there was a long period of dithering because I couldn’t decide between two approaches. One was to make the “path” blue, the maze white, and sew on buttons or smooth worn pieces of shell.

The other was to use all these little samples of handspun, natural or naturally dyed wool that were given to me along with the used loom I bought eight years ago, and make it more realistic.

I decided to start with the more traditional tapestry, and if I’m hungry for more, weave the other one.

Update:  I’ve added a place near the top of the sidebar where you can see the latest progress on the tapestry.

3.5 x 2.5″
cotton yarn, cardboard, brown paper, shipping label, ink

See this post for the story behind it.

I jammed up my printer playing with this brown paper and I think that I killed it! But I do like the effect it made on the words. The “prettier” side is actually the back of the card. It is supposed to have my contact information on it and I have to figure that out. I have a blue gel pen at work that might do the trick.

This is my first artist trading card. There are only two rules for ATCs - they must be 2.5 x 3.5 inches (baseball card size) and they must be traded or given away, never sold.

This was a lot of fun and I think that I’ll keep it up. Hopefully I’ll have plenty to trade when I go to Art & Soul in early May.

The Take It Further Challenge for February had two options: a color combination and/or a concept prompt of “What are you old enough to remember?”

I wanted to do both, but blanked out on how to do it until yesterday. My concept had more to do with technology - the phone system, mimeographs instead of copiers, etc. I thought about collage and I might still work with this idea, since I have a great secretary’s manual from the 1930s to work with. (By the way, I’m a secretary, and I’m the daughter of a secretary.) But I ached to do some more with tapestry, so I began by pulling out yarns that were a close match to the color challenge.

I couldn’t find the shade of brown, and it irked me because I felt that it was so familiar that I must have it somewhere. I stopped and took a few moments to straighten up my studio, and there it was - my cardboard box that I used as a loom for the tapestry bag. I decided to incorporate a small cardboard loom into my project for the brown color, and I cut the box into small pieces. One piece had the UPS shipping sticker on it, and I thought, I remember when there wasn’t a bar code or number on every single thing that was sold or shipped, and you didn’t have a different password or ID number for every different purpose, and the technology that is supposed to make our lives more efficient has complicated our lives in many ways.

Then I realized that this was the piece that I would use for my loom.

The bar code is meant to look like the weft on that side, but I am so tempted to weave the whole thing. I’ll upload the finished object when it’s done.

(Later that evening…)

I wove a frame around the bar code. I’ll finish this tomorrow night. The weaving is done. And it was fun.

I finished the tapestry bag on Sunday afternoon. The closure is a drilled pebble button, and there is a piece of cardboard in the bottom to hold its shape between the lining and the bag.

Don’t…ask…how I did the lining. Dumb luck with much cursing and sticking pins in my fingers. It was a lesson in persistence and pain, and I finally resorted to an iron and Stitch Witchery.

Next time, I will make the lining darker, although it does help me find things in my bag. Also will make the inner pockets bigger. The straps are perfect!

Dimensions: 6″ wide on short sides, 10″ wide on long sides, 6.25″ tall.
Linen warp, wool weft.

The weft is mostly discarded wool given to me by other weavers or weaving teachers. Much of it is the product of beginning dyers, as there are many spots where the wool was tied too tightly in the dyepot and it created a resist. I decided to use these random spots as abstract sparkles in the water or reflections.

Here’s what the inside of the box looks like. I really love the backs of tapestries, so it’s a bit of a shame to line this, but I’ve decided to make it a functional handbag. The lining will be attached with velcro so that it can be removed and laundered.

Left to do: Weave two straps from the brown wool on my inkle loom, and sew in. Figure out how to sew lining. Sew lining. Attach lining. Attach a stone button for the closure. Maybe embellish with a few more stone buttons. Wear with joy and attack every day with a lint roller to keep the cat hair from embedding in it.