I thought that I might share a little about my creative process in doing the mini tapestries. It’s so simple that it won’t take long. Reading Living the Creative Life and The Artist’s Way made me think about this, and I figure that it’s worth sharing.

This is my current workspace in the Happy Room, on the futon that serves as a guest bed. Isn’t it a mess? But it’s really working for me, like I have a pallette of yarn.

I found that the trick to keeping my creative energy going is to always have a little cardboard loom ready. It takes about five minutes tops to warp a piece of cardboard, which I prepare by snipping slits top and bottom 4 or 5 slits to an inch. You can’t really get a lot of detail with this method, but the simplicity and limit is part of the charm for me. For more detailed designs, I use a pin loom, where I can get 8 ends per inch.

I could draw a design on the cardboard, but what I do with the mini-tapestries is that I begin with a blank cardboard piece, pick up a color, and begin. It helps a lot to have an idea prompt. I have a theme right now of “By the Sea.” As I needleweave the yarn into the warp, an idea will begin to develop. If it doesn’t, I do a solid block of color. I figure that I can embellish the solid blocks with beads, shells, embroidery, or needle-felting later, so it’s definitely not a waste of time. The point is, I don’t wait for an idea. I just start weaving.

If I’m not totally thrilled with it, it’s okay. I’ve only put a couple of hours into it at the most, and now that I’m interested in assemblage and collage, I figure that I’ll find a way to work with it later. In the meantime, I’m free to play, which is not something that usually happens with weavers. And playing was something that I struggled with so much that I even made “learning to play” a project for my “Creating Peace” class only last fall.

If I get an idea for a more complicated idea, I’ll work that out later with a cartoon (design for a tapestry). I should make notes, but I have to work on that. It’s usually hard for me to stop weaving and start writing notes! I had a dream last night with an idea for a weaving that I awoke from and said to myself that I should write it down. Of course, the part of me that wanted to go back to sleep convinced me that I would remember this great idea in the morning. Of course, I have not remembered the details as of yet. I’ve had a lot of these dreams and they’re wonderful in their details, but by the time I get to the coffee, they’re a fuzzy warm pleasant feeling. So I need to work on my methods for recording ideas.

Here’s a photo of the back of one of the tapestries. I designed these “signatures” in Word and copied eight to a standard 8.5 x 11 page, leaving a bit of space where I can attach a pin if needed, and then I used Ricë’s technique for printing them on a piece of muslin. I left the freezer paper on the back and cut them apart.

Then I made hemmed backs of a watercolory-looking blue fabric to fit the back of each tapestry (using fusible webbing), fused those directly to the back of the tapestries, then peeled away one of my muslin signatures and fused that on top of the blue fabric.

Here’s the (un-) funny thing - I decided to use fusible webbing for many of my sewing tasks to save my hands some stress and because I am such a klutz that I stab myself with needles and pins all the time. Well, here’s this fabulous alternative, right? I bought a little craft mini-iron that has a long rod handle and a little flat iron tip that I could use for little areas and corners where I might need more precision. So what was the first thing I did with my fabulous new tool yesterday? I mindlessly grabbed it in the wrong place and burned the hell out of my right index fingertip. If I don’t learn anything else from this hobby, I will learn mindfulness, the hard way if necessary.

“By the Sea: Wave”; series of tapestry artist trading cards, woven for trading at Art & Soul in early May. Woven on cardboard loom. Linen warp, cotton weft. 3.5 x 2.5 inches.

“By the Sea: Tidal Pools”; series of tapestry artist trading cards, woven for trading at Art & Soul in early May. I drew on memories of Sunset Beach and Tubbs Inlet for these seascapes. Woven on cardboard loom. Linen warp, wool weft. 3.5 x 2.5 inches.

The next two will be pins:

I’m not done embellishing the one on the right - I plan to bead an edge around it.
Left: Linen warp, cotton, wool, and chenille weft, shells. 3 5/8 x 2 3/4 inches.
Right: Linen warp, cotton, wool, and chenille weft, shells. 3 1/4 x 2 5/8 inches.

“By the Sea: Overcast Low Tide” - I think that we’ll keep this one, as it is too big for an ATC and I’m rather fond of it. The wool for the sky was space dyed leftovers from a weaving years ago. Linen warp, wool weft. 3.75 x 2.75 inches.

My goal today was to complete a woven artist trading card, and I achieved that goal! Well, almost. I have to put a backing on it, but I think that I’m going to wait until I get about half a dozen woven and back all of them at the same time.

Earlier this month, I wove two other little tapestries which I meant to be artist trading cards, but the size was not quite right. The only two restrictions for an artist trading card is that it can’t be sold and it must be 2 1/2 by 3 1/2 inches. Think baseball card. So those two will be pins. When I hit the size right, it will be an ATC, and when I don’t, it will be a pin.

The theme of Art & Soul is “By the Sea.” From what I understand, most of the attendees carry with them lots of little handcrafted goodies to trade. I’m weaving these tapesties on little cardboard squares, and they are doing double duty - they will be trades and they are studies for my next tapestry bag.

Weaving these little tapestries is one of the most relaxing things I’ve done for a long time, and it is so easy. Taking photos of the little weavings, not!!!!! Also, I planned to do a lot of beading on my collages and art quilts and fabric journals and weavings. I might need to get my bifocals first - it is definitely ten times harder than it used to be to thread a needle and poke it through those tiny little holes. So, to recap, weaving = fun! Photography and beading = frustration.

I started a project that’s been on my mind ever since I received the book Artist Trading Card Workshop. I want to make my ATCs out of fiber and recycled materials when possible. The section that appealed to me most made nests of fibers on the card and melted them together with embossing powders and fusible webbing tape.

So I have been weaving tapestries from thrums and discarded warps and dyeing mistakes, and now I have a way to re-use the thrums from the thrums. It feels like, I don’t know, like I just found the last piece to a jigsaw puzzle. Ahhhh. It drove me crazy to throw those thrums away. Usually I give them to the birds or toss them in the compost heap when there gets to be too many.

Anyway, here’s what I came up with. Backgrounds for four sets of two cards each.

I had no freakin idee whut I wuz doing. I just played. If you were around in September when I began to have my meltdown, you know that this was a major goal for me. I’m a planner. It’s my personality. Weavers generally have to be. I needed to learn how to play. Squirt had a lot to teach me about that in his last year. He became more playful than he ever had been in his middle age.

I was so afraid that I had lost my mojo for good. Now I’m in the middle of four projects! Whee!

3.5 x 2.5″
cotton yarn, cardboard, brown paper, shipping label, ink

See this post for the story behind it.

I jammed up my printer playing with this brown paper and I think that I killed it! But I do like the effect it made on the words. The “prettier” side is actually the back of the card. It is supposed to have my contact information on it and I have to figure that out. I have a blue gel pen at work that might do the trick.

This is my first artist trading card. There are only two rules for ATCs - they must be 2.5 x 3.5 inches (baseball card size) and they must be traded or given away, never sold.

This was a lot of fun and I think that I’ll keep it up. Hopefully I’ll have plenty to trade when I go to Art & Soul in early May.

The Take It Further Challenge for February had two options: a color combination and/or a concept prompt of “What are you old enough to remember?”

I wanted to do both, but blanked out on how to do it until yesterday. My concept had more to do with technology - the phone system, mimeographs instead of copiers, etc. I thought about collage and I might still work with this idea, since I have a great secretary’s manual from the 1930s to work with. (By the way, I’m a secretary, and I’m the daughter of a secretary.) But I ached to do some more with tapestry, so I began by pulling out yarns that were a close match to the color challenge.

I couldn’t find the shade of brown, and it irked me because I felt that it was so familiar that I must have it somewhere. I stopped and took a few moments to straighten up my studio, and there it was - my cardboard box that I used as a loom for the tapestry bag. I decided to incorporate a small cardboard loom into my project for the brown color, and I cut the box into small pieces. One piece had the UPS shipping sticker on it, and I thought, I remember when there wasn’t a bar code or number on every single thing that was sold or shipped, and you didn’t have a different password or ID number for every different purpose, and the technology that is supposed to make our lives more efficient has complicated our lives in many ways.

Then I realized that this was the piece that I would use for my loom.

The bar code is meant to look like the weft on that side, but I am so tempted to weave the whole thing. I’ll upload the finished object when it’s done.

(Later that evening…)

I wove a frame around the bar code. I’ll finish this tomorrow night. The weaving is done. And it was fun.