I thought that I might share a little about my creative process in doing the mini tapestries. It’s so simple that it won’t take long. Reading Living the Creative Life and The Artist’s Way made me think about this, and I figure that it’s worth sharing.

This is my current workspace in the Happy Room, on the futon that serves as a guest bed. Isn’t it a mess? But it’s really working for me, like I have a pallette of yarn.

I found that the trick to keeping my creative energy going is to always have a little cardboard loom ready. It takes about five minutes tops to warp a piece of cardboard, which I prepare by snipping slits top and bottom 4 or 5 slits to an inch. You can’t really get a lot of detail with this method, but the simplicity and limit is part of the charm for me. For more detailed designs, I use a pin loom, where I can get 8 ends per inch.

I could draw a design on the cardboard, but what I do with the mini-tapestries is that I begin with a blank cardboard piece, pick up a color, and begin. It helps a lot to have an idea prompt. I have a theme right now of “By the Sea.” As I needleweave the yarn into the warp, an idea will begin to develop. If it doesn’t, I do a solid block of color. I figure that I can embellish the solid blocks with beads, shells, embroidery, or needle-felting later, so it’s definitely not a waste of time. The point is, I don’t wait for an idea. I just start weaving.

If I’m not totally thrilled with it, it’s okay. I’ve only put a couple of hours into it at the most, and now that I’m interested in assemblage and collage, I figure that I’ll find a way to work with it later. In the meantime, I’m free to play, which is not something that usually happens with weavers. And playing was something that I struggled with so much that I even made “learning to play” a project for my “Creating Peace” class only last fall.

If I get an idea for a more complicated idea, I’ll work that out later with a cartoon (design for a tapestry). I should make notes, but I have to work on that. It’s usually hard for me to stop weaving and start writing notes! I had a dream last night with an idea for a weaving that I awoke from and said to myself that I should write it down. Of course, the part of me that wanted to go back to sleep convinced me that I would remember this great idea in the morning. Of course, I have not remembered the details as of yet. I’ve had a lot of these dreams and they’re wonderful in their details, but by the time I get to the coffee, they’re a fuzzy warm pleasant feeling. So I need to work on my methods for recording ideas.

Here’s a photo of the back of one of the tapestries. I designed these “signatures” in Word and copied eight to a standard 8.5 x 11 page, leaving a bit of space where I can attach a pin if needed, and then I used Ricë’s technique for printing them on a piece of muslin. I left the freezer paper on the back and cut them apart.

Then I made hemmed backs of a watercolory-looking blue fabric to fit the back of each tapestry (using fusible webbing), fused those directly to the back of the tapestries, then peeled away one of my muslin signatures and fused that on top of the blue fabric.

Here’s the (un-) funny thing - I decided to use fusible webbing for many of my sewing tasks to save my hands some stress and because I am such a klutz that I stab myself with needles and pins all the time. Well, here’s this fabulous alternative, right? I bought a little craft mini-iron that has a long rod handle and a little flat iron tip that I could use for little areas and corners where I might need more precision. So what was the first thing I did with my fabulous new tool yesterday? I mindlessly grabbed it in the wrong place and burned the hell out of my right index fingertip. If I don’t learn anything else from this hobby, I will learn mindfulness, the hard way if necessary.

“By the Sea: Wave”; series of tapestry artist trading cards, woven for trading at Art & Soul in early May. Woven on cardboard loom. Linen warp, cotton weft. 3.5 x 2.5 inches.

“By the Sea: Tidal Pools”; series of tapestry artist trading cards, woven for trading at Art & Soul in early May. I drew on memories of Sunset Beach and Tubbs Inlet for these seascapes. Woven on cardboard loom. Linen warp, wool weft. 3.5 x 2.5 inches.

The next two will be pins:

I’m not done embellishing the one on the right - I plan to bead an edge around it.
Left: Linen warp, cotton, wool, and chenille weft, shells. 3 5/8 x 2 3/4 inches.
Right: Linen warp, cotton, wool, and chenille weft, shells. 3 1/4 x 2 5/8 inches.

“By the Sea: Overcast Low Tide” - I think that we’ll keep this one, as it is too big for an ATC and I’m rather fond of it. The wool for the sky was space dyed leftovers from a weaving years ago. Linen warp, wool weft. 3.75 x 2.75 inches.

Here are the first two small tapestries of a series of four. This is “Earth” and “Fire.” Guess what the other two will be!

I took a piece of the cardboard box that I used for my tapestry bag and decided to work that part of the design in different colors. The loom is just string wrapped around a piece of cardboard with slits cut across the top and bottom - nothing expensive or complicated about that! I used some of the multitudes of leftover scraps of wool yarn that I have hoarded over the years.

These are 4 x 6 inches each and could be used for fabric postcards if I wanted to go that way…I think that I will mount them together as a wall piece though. The challenge is getting them mounted and maybe framed. Once I’m done weaving, it is very hard for me to follow through on presentation. Maybe I’ll do a simple one-color quilted square to mount them on.

I still need to sew together some of the slits from the back and probably will fuse a backing to them.

I wanted to show you my little seascape tapestries, but I can’t seem to get a good photo of them. I’ll keep trying.

I am totally overwhelmed with the books I’ve bought in the last few weeks. It’s like a book fiend has taken over my body. Yesterday Sandy and I did a big purge of books to take to Ed McKay’s today, so I could get my new stacks of books off the floor and onto shelves.

Some of these new stacks are of old books. For example, when I visited Mama a few weeks ago, I snagged the 1952 set of World Book encyclopedias, which I’m sure made me the geography trivia whiz that I am today. If today was in 1952. I always had my nose in these encyclopedias, and they meant nothing to anyone but me.

I also brought back my much beloved copy of Alice’s Adventures in Wonderland, spine well creased from obsessive re-reading, and a copy of Treasure Island, which I never read but I found a piece of paper in it where I had made as many words as I could out of the words Treasure Island. I made up a lot of word games as a child out of these books and encyclopedias. I found my old stamp collection and a list I had made of “My Library,” which included such diversity as Huckleberry Finn, Flip Wilson Close-up, Steppenwolf, How to Write Codes and Send Secret Messages, and Gardening Indoors Under Lights. I doubt that I actually read Steppenwolf, but I may have given it a try. The librarians on the county bookmobile had a very hard time keeping up with me - I’d have finished my stack of books they picked out for me long before they came back in two weeks.

There was a real treasure trove of old books in the free section of Ed McKay’s for a few weeks. I’ve picked up a lot of old school books and other interesting books from the turn of the century up through the fifties. I have enough novels from the free section to last me two years. And, believe it or not, I had been hitting the library on a regular basis, but I’m going to give it a rest until I read some of what I have at home. I started reading Wendell Berry’s novels from the beginning, and that felt like going back in time to talk to relatives long gone.

Yesterday, Sandy and I went to Empire Books, where I never made it past the cookbook and arts and crafts section. Sandy found a perfect copy of my favorite artist Andy Goldsworthy’s Time for $18. I picked up a $4 copy of Mastering the Art of French Cooking, three wonderful craft books: Art Stamping Workshop, Beaded Crazy Quilting, and Paper into Pots, and a 1950 half autobiography/half cookbook called Love and Dishes, by Niccolo de Quattrociocchi, an Italian restauranteur in New York City. It has recipes from all the famous NYC restaurants of the time. I’m really looking forward to digging into this one.

It is a good thing that I don’t live closer to Empire Books. I might go broke. I really, really need new clothes but I spend all my money on books, art supplies, and good food. My priorities are pretty good but I might need to get a little more practical.

So, what started this post was a question from Moomin Light: What creativity books have I been reading? I mentioned Living the Creative Life, by Ricë Freeman-Zachery. I’m also reading her book Stamp Artistry.

I was already into The Artist’s Way, by Julia Cameron, which I like but I’m going to wait until summer if I do the lessons.

Danny Gregory’s The Creative License is so incredible that I nearly have a panic attack each time I open it, but it’s next. I read his Everyday Matters last year, and I’m a lurker in the Everyday Matters Yahoo group.

In addition, I’m feeding my inner child and dreamer with Dan Price’s illustrated journal Radical Simplicity: Creating an Authentic Life. Because I spent a good part of my childhood winters building hide-outs and lean-tos and treehouses to read my books in.

I have Amazon links to these books in my pretend bookstore, if you’re interested in learning more or buying them. I’ll update it with my newest books later today.

Yes, I’ve been a book hound since I graduated. It is delicious.